Wednesday, December 25, 2013

Rear Window Review

Rear Window (1954) is an intriguing, brilliant, macabre Hitchcockian visual study of psychoneurotic human curiosity and voyeurism. John Michael Hayes screenplay was based on Cornell Woolrichs (with pen-name William Irish) prototype 1942 short story or novelette, It Had to Be Murder. This film chef-doeuvre was made entirely on one confined explicate built at Paramount Studios - a realistic tourist court composed of 32 flat tires (12 completely furnished) - at a non-existent lecture in Manhattan (125 W. 9th Street). Each of the tenants of the some other flat tires offering an observant newsmonger of marriage and a complete brush up of male/ young-bearing(prenominal) relationships (all the way from honeymooners to a murderous spouse), as the master(prenominal) whizz watches / spies / spectates through his rear window on them. Remarkably, the camera angles are for the most part from the protagonists give apartment, so the film viewer (in a injustice theatre) sees the inhabitants of the other apartments almost entirely from his point of view - to make out in his voyeuristic surveillance.
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Concurrent with the crime-thriller theme of mysterious activities of apartment neighbors is the repugn of the passively-observant and immobile protagonist (James Stewart), a magazine photographer who is helplessly confined to a wheelchair while recuperating in his Greenwich colony apartment and fearful of the imprisoning effects of marriage. He struggles, as he does with his sticking plaster cast, to overcome his noncommittal feelings and reluctance to extend married to his high-fashi on exercise fiancee-girlfriend (Grace Kelly! ). In the midst of the most sieve situation in another context, she daringly flashes a hymeneals ring to him to touch him in with the evidence. This film - one of Hitchcocks superlative thrillers, especially in its final twenty minutes, received still four honorary society Award nominations (with no Oscars): dress hat Director, Best Screenplay (John Michael Hayes), Best gloss Cinematography (Robert Burks), and Best proficient Recording. Un-nominated for her...If you want to get a full essay, order it on our website: BestEssayCheap.com

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